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The Nigger Bible

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The Nigger Bible is a ebook by Robert H. deCoy, initially self-published by deCoy after which reissued by Holloway House in 1967,[1] and once more in 1972 (

ISBN 0-87067-619-9).[2] Described as a “key assertion” within the Black Power motion,[1] it’s a social and linguistic evaluation of the phrase “nigger” and of the origins and up to date circumstances of the black peoples of America.

DeCoy additionally revealed Cold Black Preach (1971, ISBN 0-87067-627-X). The Black Scholar summarized: “Noted writer of the explosive finest vendor The Nigger Bible takes on the black preaching institution”.[5]

DeCoy re-examines the phrase “nigger”, demystifies it, and makes an attempt to embed vital pondering expertise about black character sorts and classes. The writer deconstructs the Christianity of “Niggers” (together with, in his view, Black Muslims) in addition to the values of the New Left. The ebook comprises an evaluation of the cultural and racial significance of Mardi Gras.

It makes an attempt to tease aside the cultural, philosophical, and scriptural origins of what the writer calls an “Alabaster Man”, one which skilled the conclusions and prejudices on the root of their oppression. It examines, amongst different texts, the Christian bible and its terminology. the ebook explores the ability of phrases, and re-interprets and critiques core western non secular and philosophical constructs, together with these which might be central to a lot of the fashionable African-American non secular expertise. In one of many chapters he discusses “the family tree of Jody Grind”; Eugene B. Redmond remarks deCoy is certainly one of many African-American writers who “continues a convention by looking for out people epics and ballads as sources of poetry”.[4]

The type is different and is perhaps described as a collection of reflections. In the preface, Dick Gregory (whose autobiography was entitled Nigger) writes: “In abolishing and rejecting the Caucasian-Christian philosophical and literary types whereas recording his ‘Black Experiences,’ this author has eliminated himself from their double-standard, hypocritical frames of reference”.[3]

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